Beelzebub (
gluttoning) wrote in
altimit2023-08-16 07:11 am
[Closed] misteaks' mistakes (catchall)
Who: Misteaks and also some other people
What: Event catchall + dungeon runs
When: August - September, maybe later who knows
Where: various, please note in headers
Content Warnings: parental death, child abuse (emotional/verbal), child death, ED mention. Please cw in headers.
[overflow and log space for August and September]
What: Event catchall + dungeon runs
When: August - September, maybe later who knows
Where: various, please note in headers
Content Warnings: parental death, child abuse (emotional/verbal), child death, ED mention. Please cw in headers.
[overflow and log space for August and September]

CW: child death, verbal child abuse
A beat, and your father halts, drawn in that way that he only does when he's forgotten something. A naughty word drifts from his lips, and your sister is left to her own devices for a moment, the mechanical noise of the emergency brake echoing like nails on a chalkboard as your father leans over to secure the car, shift it to neutral and free his keys. The parking never seemed to hold. Bad transmission, he always said
"None of you move, got it? I have to go get something from inside. Stay here."
You nod. Your sister babbles out a retort. Daddyyyyy, can we get snacks? But he seemingly ignores it with little more than a mumble, closing the door loosely on the three of you. You can hear the faint jingle of his keys as he runs up the driveway and back towards the house.
The little girl lets out a dramatic sigh, kicking her legs from her unfastened car seat. The noise wakes up your twin brother, who looks around in confusion.
"Where's Daddy?"
"He went inside. We gotta stay."
"...I don't want to. It's too hot."
"No, Booker, we gotta--"
But Booker's already on the move like a tired cat, squeezing out from his seat to climb over the cupholders and into the passenger seat. Your sister squeals, and you hear a mumbled "Oh... Sorry, Lily." as Booker pulls his legs through.
Booker's always been smaller, a little faster, and now isn't much different. You can't follow his pace, feeling your face tighten into a frown. "You'll be in trouble up there." While you want to climb over after him, you second-guess it, instead squeezing past your sister's seat to fiddle with the sliding door.
"Beaaaaaar can I go out??"
"No, Lilith, I'm just going with Booker. Stay here."
"But I wanna go... I wanna go with Booker too!! Not fair...!"
Lilith continues to squirm as you leave the side door open and free yourself out onto the concrete, stumbling a bit in your sneakers before wrenching the driver's side door open with a pouting frown. Booker's already turned the air conditioner on full blast and is sticking his face directly on the nearest passenger-side vent with a tired giggle. You lean in on the seat, pushing yourself up a bit and trying to avoid the wheel. You hear the sound of more jostling in the back of the car, the sounds of effort from Lilith very clearly trying to get out of her car seat.
"Come on, Booker, Dad's gonna be really mad if he sees us up here."
"I'll go back when he gets back. Don't wanna be hot."
"Are you gonna get a funny mark on your face if you stay like that?"
"Heheh... yeah."
You feel a tug against your leg from outside the propped car door, followed by a whine. "I wanna see Booker!"
Lily? Oh. She got out of her car seat. You sigh, reaching for her arm, but she slips it free with a giggle, toddling backwards with her hands framing her grin.
"Lily, no. We gotta be in the car."
"Noooo. Boring, it's boring."
It's a parrotry of Booker, something that makes him snort. But she's already tripping her way down the concrete slope towards your collection of discarded bikes and sidewalk chalk. "Lily, hey, no--"
"Mn. I'm gonna go with her."
Before you have time to go after her, Booker's already trying to kick the passenger side door open with one booted shoe, calling for your sister. You protest, crawling right back into the driver's seat and over the stick shift to grab his shirt. Stay put, Booker.
Your knee jams against the lever for the brake, and you screech as you feel the tingling go down your leg. The lever pops up.
The car starts to roll backward.
Booker lets out a mild noise of alarm. Hey, what's happening to the car? You feel the movement. You pull your legs in instinctively as the door swings shut behind you, as the sliding door pushes wide open as the momentum starts to build. The brake... the brake, you need to make the brake work, your hands wrap on the lever but it doesn't budge--
There's a thud. A scream. You feel the back of the car lull, one tire higher than the others. The momentum slows, painfully, and your blood runs cold. Booker is yelling next to you.
The brake. The brake, the brake, the car is still moving and the tires are thudding and leveling out and--
Booker presses the button at the top of the level with both his hands and yells for you to pull the brake. You do, feeling your shoulders pull painfully. The noise is like nails on a chalkboard. Nails on a chalkboard. Nails nails nails.
She's screaming.
You can hear her screaming and wailing from inside the car. From under the car.
Booker's kicking the passenger door open. You fumble for the driver's side, dropping your feet to the pavement. Booker's calling for her.
You see her. Some of her. The back of her head. The limp way her limbs sit like a doll thats been tossed, squished between the car and the pavement. She's crying and crying and crying and it's starting to stutter and fade. There's blood streaked across the concrete.
You scream for your father. You can't move. You want to help her but you can't move. It's hot. Everything feels cold. You feel like you might throw up as you stumble towards her, knees hitting the pavement.
"Lily, Lily, I'm right here... Lily, I'm so sorry, Lily, grab my hand...!"
She cries, and cries, and doesn't move past the stuttering of her chest. You can hear your father. Some of your brothers. You try to grab for Lily's hand. It's limp against your own.
Lily? Lily?
Your father is frantic. He's on his phone. He yanks you by the shoulder, and you're deposited backward onto the concrete. He's trying to get her out, he's trying to talk to her and talk to the phone. He's crying. She's crying. She's getting quiet.
Booker has his fists balled in the back of your shirt as you try to get up. Your oldest brother, a fifteen year old with hair as dark as night, blocks your vision to herd you past the front of the car. You don't want to. Neither does Booker. Lucas, you don't want to. Lucas, you can't leave her there. Lucas, you don't want to. You don't want to.
He drags you both back to the porch.
You hear the ambulance.
What happened? What happened? Your brothers are all asking. It feels numb and so far away, caught up in the lights and the paramedics. The car is in the way. You can't see them take her from the porch. Your dad returns to coldly snap some words to Lucas, and the look you catch from him is the angriest you have ever seen him.
The ambulance leaves with your father aboard. The concrete stains red. The house is in panic. Lucas tries to keep calm. Some are yelling, some are hiding away. You can't tell. It's noise. Noise and static. Your hand is still stained red. Booker stays glued to you, crying in shallowed breaths.
What do you do?
...
He comes back alone.
He comes back in tears.
He brings you both to his study. He starts quiet. He wants to know what happened. Neither of you can bring yourself to say. He gets louder. He yells. He gets in your face. He yells.
He gets an answer from you. Stuttered. Empty.
"So it's your fault??? You disobeyed me. You disobeyed me, and look what happened.
Look at what has happened because you aren't smart enough to listen. Do you see that, Barrett?
What do you have to say for yourself?"
You sputter. You try to apologize. He starts to rant. It's all pained words. To you, to Booker. All that feel like truth. It's all truth, isn't it?
Your fault. Your fault.
You can hear him arguing with Lucas later. You don't want to eat. You don't want to sleep. You look at her empty bed from where you curl up and go quiet. Her toys. Her drawings. Despite the screaming that colors the home in the following days, it's too quiet in your room. You want her to come home.
She won't.
You see the small box at the church. The lid stays closed.
You feel sick. You can't get close. Your father has to practically drag you. You want to cry the whole time, even with his grip so firm on your shoulder that it can't feel like reassurance. It burns in your chest. But the tears feel empty. It feels so empty. You feel empty.
She's gone. She's dead. And it's your fault.]
for Mithrun:
[It's a blurred sound as Misteaks kneels next to him, two different ridiculously oversized drinks in his hands. He follows his line of sight briefly, brow furrowed.]
What's up?
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When Barrett finally gets his attention, he'll see some singular teardrops at Mithrun's eyes. Which for a moment Mithrun doesn't recognize either, until one falls. Uncertain, he presses a finger to the edge of one eye, and, after a moment, recognizes what it is, though the fact that he's capable perplexes him. When was the last time he'd cried? Had he ever? )
... I think these are yours.
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[The cups are put to the side. Is Mithrun tearing up? Maybe he just got something stuck in his eyes, but... what's with the comment?]
Did something happen?
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... I think I saw a memory that belongs to you, in the mirror. One about Lily.
( Not a happy one, clearly. )
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[It doesn't register as serious until he hears the name. And for a moment, he looks almost... frightened.]
What do you mean?
What about Lily?
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... I think it's some kind of unintended error. It was a memory of you and Booker. She got out of the car when she wasn't meant to.
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He doesn't understand. Did Mithrun suddenly... know about that accident? He catches his pulse pounding hard in his ears, stammering for a moment.]
I-I... I'm sorry. That's... that's not something anyone should...
[No one should know. Lily was a family matter. A family memory. Something to keep close. But there sure were a lot of things about this game that shouldn't be happening.
...
A beat. He hesitates, before carefully bringing a hand up to the tear trails against Mithrun's face.]
You're crying... [A thumb runs against the skin, and his eyes beg. The guilt creeps. It always does. Even under hands that stay gentle.]
I'm so sorry. Maybe I shouldn't have left so fast... [His lips thin, glancing around.] Did something happen before you knew all that??
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( He knows he shouldn't know it. It's private. And it explains, maybe, why Barrett took this whole thing about his collapse so seriously - love and guilt toward his siblings all tangled up into what he was now.
The warmth of his hand to his cheek doesn't feel so bad, though. )
... The mirror ahead of me seemed to flicker. I looked at it, and that's when I saw it... like it was being projected. It felt like it was from your point of view. But I could feel it, too.
So... I think these are yours.
( He says it again. The tears, even if you couldn't cry. )
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He carefully traces the moisture away with just as gentle a touch as before, letting out a shaking exhale.]
What the hell is wrong with this game... [It's muttered, the apologetic look never lifting.]
I'm sorry you had to have them in the first place, then. That's my feeling to handle. [His guilt to carry.] Not anybody else's.
[Once he thinks he's stopped that cold touch of tears against his fingertips, he withdraws his hands, instead pointedly looking for the mirror Mithrun had mentioned.]
How did this place even show something like that? Does this place know what our brains remember or something? [He's squinting off towards the glass. Yeah, there is some sort of shimmer where a second ago there's only been a reflection... what the hell?]
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As Barrett comes to, he can probably hear Mithrun say something about "level cap armor," but it's probably indistinct as he reorients himself. Mithrun seems to notice he's paused. )
... Barrett?
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It leaves his head aching from how he grits his teeth, tearing his face from the mirror the second he can and covering his eyes with one of his hands.]
Mn... what?
Morgan?
[It's the first name that comes to his mouth.]
Sorry. I... [A muffled "dammit" pushes out from under his breath.] --I'm here.
I think we need to get away from the mirrors. I just saw something, too.
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Mithrun doesn't seem upset, at least, that Barrett has probably seen a memory of his. Surprised, but not perturbed. )
... I think so.
( He pushes himself up, wall as his crutch. If Barrett steps in to help him, he'll accept it - but it isn't his nature to want help, to ask for it. Besides, Barrett has the drinks, which are clearly as equally important. )
... Did it disturb you, what you saw?
( There's. a lot of things a person could've seen about him. )
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for Hector:
...Sorry about before. Really.
I know you mean well. I'm just having a hard time shaking a weird feeling I have about this place.
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He stares at the mirror. His reflection makes it seem like his head is a little bigger than it actually is, but that's not what he's thinking about. Had he just relieved a moment in Misteaks's history?
He remembers what Misteaks told him—about Lily. About the van.
That was what happened?
It may have been a long time ago, and maybe it doesn't hurt as much as it did in the moment, but the way the loss settles in the pit of his stomach is all too familiar.
Gruesome. How awfully, terribly tragic. ]
...Barrett. [ That's all he can think of to say. That one little piece of information. ] That's your real name, isn't it?
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[He slows to a stop, looking over his shoulder in very blatant surprise.]
I... uh. Yeah.
How did you know that?
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When he looks at Misteaks, that concern and desperation is written all over his face. He searches the boy's face for anything besides surprise. ]
I think I saw something I shouldn't have.
[ His voice is low, like the mirrors are watching. ]
It was your sister.
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Where?
She's dead, Hector. What do you mean you saw her?
[Don't mind him as he just strides on over to glance at that mirror as though someone stuck a TV vehicle it or something.]
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...It was the accident.
[ His brows lift as he feels his sympathy twist his insides. It was awful. Awful. ]
I'm... I'm so sorry.
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[There's nothing here. This isn't new information, he knows Hector knows about the accident. Vaguely, perhaps, but... why bring it up now? In front of a mirror that looks just as weird as all the rest?
When he talks, his confused tone now drips with frustration and a little bit of hurt.]
Hector, you're not pulling my leg or something, are you?
This... this really isn't funny. I don't see anything. And I already told you about the accident. She got hit by a car, remember?
[Vague and detached and as far away from the details as he can bring himself without falling apart. That was how it was supposed to be.
His arms wrap tight against his chest.]
If this is a joke, I need you to cut it out.
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[ He stares hard up at Misteaks. He doesn't like this sudden distrust, not after he opened himself up and spoke so sincerely to him. Just the same, he folds his arms over his chest.
How would he know Misteaks's real name otherwise? ]
It was—it was the mirror. I swear it on God, on Allah, on—whatever. I don't know how it happened, but please. Trust me.
[ He whips his hand out to point at the mirror he was just looking in, and it shimmers.
For Misteaks, however, instead of a mirror, he'll see a door. ]
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...
His lips thin as he follows Hector's hand with his eyes, back the mirror that had nothing...
...
...that now has... something.
His attention centers immediately.]
...Wait. What... is that?
cw mild psychosis, depression, alcoholism
[ There's a slight hint of panic in Hector's voice. But that will be the last of Misteaks's worries.
When Hector turns to look at the mirror—he sees nothing—the door swings open.
A strange sensation overcomes you. There's a weight on your body; you feel parched, exhausted. You hurt in places you've likely never felt ache before. But it's good, you decide. It's a marker of your youth. Your 21st birthday is only three days away. You've been telling everyone at the bars and the clubs for the past few days that it's your birthday, and they've been giving you free drinks. You look old enough. People don't ask.
The bender has taken a lot out of you, though. The door shuts loudly behind you as you trudge into the neatly-kept hallway of your parents' townhouse. You clearly come from means.
But now, to rest up. Your sister has promised to take you to her favorite bar on your birthday proper. You want to be fully present when she takes you out. Not hungover.
As you come to the bottom of the stairs, you realize your parents aren't in their usual spots in the living room. You crane your neck down the hall and realize there's an odd stillness to the air. Tension fills the rooms to the brim. Something about the quiet of the house settles oddly in your chest, and it sets you on edge.
For a moment, you want to chalk it up to the hangover. Maybe your parents got in a fight again. Maybe you should sleep, so you can deal with it properly later.
Something compels you to step off the stairs and trudge down the hall, to the kitchen.
You stand in the doorway. Your mother—a woman you have only ever known to stand proud, her face elegantly sculped like a statue, the padded shoulders of her work suits making her seem all the more imposing—nestles scared in the crook of the counters. Her shoulders are drawn up, her eyes are wide, glassy, and puffy, and her fists are folded tightly over her mouth. Your father—a kindly man whose voice and laughter always fills the room, whose wrinkles come solely from a lifetime of jokes—stands perfectly still with the phone receiver pressed tightly to his ear. His face is twisted in a scowl of the likes you have never seen, decorated in frown lines and wrinkles that you do not recognize.
Your mother gasps when she sees you, dislodging herself from her safe corner as she takes quick steps towards you. She pulls you into a hug. The hold is tight, desperate. She has never hugged you like this before. Something is scaring her, and that scares you.
"Anneciğim—" There is pain in her voice. She hasn't called you this since you were a child. "Where have you been? I was—"
"Shh." Your father holds up a hand, and silence returns to the room. You turn your head to watch him, and you can hear a faint voice coming from the receiver. It's low, solemn. When it stops, time seems to freeze.
Whatever was said seems not to be the news your father wants to hear.
The silence is shattered when your father whirls around and slams the receiver back into the holder.
"Nothing," he mutters.
Your mother wails.
You pull from her embrace; you have never heard her make that sound before. Alarm slowly colors your expression as you realize something is deeply, deeply wrong.
"Mom," you croak, your voice hoarse from yelling and cheering at the clubs last night. That feels so long ago, now that you're here. "What's going on?"
But your mother is in no state to answer. She sways away from you and crumples over the island counter in a fit of tears. She sobs, her agonizing cries embed themselves into the small cracks of your being. These sounds are going to haunt you.
Your father, instead, approaches you. He takes you by the shoulders and turns you around, his steely eyes piercing you. "Mehmet," he says, his voice solemn. "Have you heard from your sister?"
You stare at him. An unease twists inside of you. It clenches at your throat. You swallow.
"...No. Not since last week." You feel your heart pound in your chest. You feel beads of sweat form on your forehead. "Why?" Your voice rises in panic. "What happened? Where is she?"
Silence.
"She's missing."
You feel the fabric of your own reality tearing at the seams. You stand at the precipice of a turning point in your life. You will never be able to go back.
Demet is everything to you. She is a shining beacon of inspiration for you, of what a person should be like. She has been there for you since your very beginning, and you had so naively assumed that she would be there forever.
And now she's...gone? Just like that? No word, no warning?
What happened to her?
Your father's words will echo in your mind for days and days to come, along with the questions, the disbelief that plague you in the agonizing hours and days that follow. A small part of you is optimistic she'll be home for your birthday, but she never shows. Your father hands you a pack of Efes and calls it a day. Your mother buys you a cake. You never learn what your sister's favorite bar was.
You don't leave your bed for weeks. Your life falls apart. You watch your grades suffer. You watch your long-term girlfriend break up with you. You watch as you continually seek the comfort of booze to fill the void your sister left behind.
Weeks turn into months, turn into a year. They never find trace of her. They stop showing her face on TV. The police declare the case cold, and you never hear anything of this again.
You dream constantly of finding her. You hear her voice, both in and out of sleep. You see her peeking through doorways, looking at you from a distance, with that warm smile you've always known her to wear. But when you approach her, you always find her gone. You never make it in time. You create elaborate scenarios in your mind of finding her, bringing her home. You see shadows in the corners of your vision of whatever—whoever took her away, and you chase them. You'll kill whoever did this to her one day. You swear it. You're a hero in your own mind.
But not in reality.
She never comes home. Demet as you know her is gone for good. ]
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To lose someone so dear and to not even have a place for it... for them to just vanish...
He hates it. There's a horrifying depth to the loneliness and the despair, the emptiness that fills with liquor and stupor and the fragments left of a life without her. Even the forced bravery that parades around under delusion feels horrifying. A coping born from desperation.
...
His face has gone pale by the time the memory drifts, a hand out to steady himself against one of the mirror frames as he stumbles back a step.]
I... Okay. Okay, I think I... I get it. [A hand lifts to press against his own throat, against the lingering burn left from the ghost of far too much alcohol.] That was...
[A glance is cast towards Hector.]
Mehmet. Right?
I'm sorry. I should have believed you
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He's skeptical at first. He doesn't like the thought of someone knowing his real name, and part of him wants to say that it isn't it. Except if he experienced anything like what he just did, then...
It takes a while for him to actually say something, though. His voice is low when he talks, but the alarm is written all over his posture. ]
What did you see?
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